
re-post



Sunpath diagrams represent the typical range/path of the sun during the year and more specifically are used to determine the length of days as measured in the amount of light. The sun path diagram here indicates that the 'dog days of summer' provide for longer days where there will potentially be more outside activities, whereas in the winter, the shorter days often provide for time inside. Not surprisingly, the Sun Chart supports the idea that there is a much larger need for sun in the winter months as well as need for sun in summer months. Shading is quite easily achievable through out the year. The overwhelming theme from these two diagrams is the lack of quality sun for heating purposes and the endless opportunities for shadow; both play a role in defining spaces both interior and exterior.
The wind 'Rose' wheel contains the most interesting and valuable information when considering location of entrances/exists, material exposure to the elements and overall sun exposure. This wheel indicates that for the best wind protection that the main entrances/exits should be located South/Southeast, this exposure also lends itself for "lighter" exterior materials such as glazing and trellis effects, which naturally lends itself to the best gain of natural day lighting. The majority of the wind not only comes from the West Northwest, the wind is also more consistent from these directions, providing the majority of coldest weather.
Consistent patterns start to emerge from these diagrams as we start to dive deeper into the relationship correlations: problems = solutions. The average temperature and relative humidly seem to have a perfectly synchronized rhythm as they dance along these charts during the winter months and as we enter into the summer months there seems to be a more aggressive/radical shift in both the humidity and temperature. Oddly enough these radical shifts in humidity and temp. are in the summer months where there are plenty of opportunities, as we have seen demonstrated in the above diagrams, to resolve with site placement of entrances/exits use of day lighting and natural cooling methods by capturing cooler winds from the Easternly exposure.
previously mentioned. The second diagram regarding wind speed indicates that during the year, Boston experiences constant wind (except a small amount of early mornings in late summer). This should prove handy if there are opportunities (need to keep in mind the surrounding buildings, but if near the water options are available) on site to generate and possibly subsidize wind energy, the best form of clean energy as of now.
I don't believe there to be much of an upside to conservation efforts (solar power, heating, solar gain) but I do believe with proper siting and planning that there is much to gain in lighting the studio spaces and crit areas, as well as provide a sun pool for outdoor reflection. 
After taking a few steps back and re-examining the plan and space that I created, I noticed the madness and hectic order of things. Typically those character traits are not dominate in me or my designs.... wanting a more friendly and calm space I went back to the beginning. With a clearer understanding of the transitions, spaces and movement within this program here is what I produce:
I see the madness...I tend to go out there before I pull myself back in. I will update the plan and post tonight. 


Problem:
Adding to the model base create a composition of spaces that can be perceived as one object, where there is a clear “inside” and a clear “outside”. Create one main entrance into this object. Your “object trouvĂ©” should mark a special place in your composition or be treated as a sculpture. Indicate the following spaces and transitions in your model(s), making sure that they are the strongest examples you created:
1: Large space with two distinct sub-spaces (zones: 1A and 1B)
2: At least one small space
3: A transitional space that is part of two others.
AT: Abrupt transition
LT: Lead transition
GT: Gradual transition
Ken Ballard